Our Non-Judgemental, Resignative and Mild Portrayer of the Deepity of the Russian Soul – A Comfortable but Distorted View on Anton Chekhov
- The Hypothesis
- Method Beyond Comment-is-Proof
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- Interpreting Literature by Working with Conditional Probabilities
- Hoarding Circumstantial Evidence and Necessary Precautions to Take if Doing so
- Weighing Evidence: Action Counts More Than Words
- Introducing Variables for Weighing Evidence: Cost, Benefit, Risk, Time Investment, Calories
- Multiple Essential-Pattern Application
- Search for Coherence – A Path Paved with Traps
- “I`m boiling with rage” – The Furious Judgemental Stoicist
- The Pre-Gulag – Chekhov`s Data Collection on the Island Sakhalin
- The Solitude and Width of the Landscape Causes the Gulag – A Practical Interpretation of the “Russian Soul”
- Deepest Misery and Telenovela Theatre – A Conspicuous Contradiction
- The “Wise Guy” and The Self Help Book – Anton Chekhov and Marc Aurel
- You don`t go to Weight Watchers if You are Thin – An Eye Correction on Stoicism
- The Pre-Gulag – Chekhov`s Data Collection on the Island Sakhalin
- Chekhov and the “Intellectuals”
- How “He portrays the Life of the Russian People in the Province” Misses the Point that he portrays an absolute minority elite.
- The Real Normal People: A Comparison to Thornton Wilder`s “Our Little Town”
- Dugashwili Rising – A Timeline Related to the First Performance of “Three Sisters” in the Year 1901
- Not his Tribe: Grandson of Serfs, Poverty, an Abusive Father, Living in A Corner and a Self-Made Physician
- Chekhov and Human Progress
- Individuals, not Collective
- Science, not “Intellectuals”
- A Darwinian Chekhov
- Strange Nebulae: The Known Universe and the Physical Worldview of 1900
- 1900 as the “Best Time Ever” of its Time
- Huddles of Semi-Deep People
- The Probability of Having 7 Deep People in a Room
- Party Talk
- “Are any Women here today?” – A Biological View on Public Philosophizing
- The Lack of Self-Distance of the “Intellectual” “Left” in Interpreting the 1900 Russian Playwrights: A Digression to Peter Stein`s “Sommergäste”
- Chekhov and Stanislavski: Their Conflicts on Acting as An Essential Pattern
- Stanislavski`s Error: Unrealistically Deep People
- Secret Agent Olga Knipper
- Chekhov`s “He Kisses Her Because He has Nothing Better to do.” and Stanislavski Rhett-Scarlett Interpretation
- “Those who dance are considered insane…” A View Beyond empathic identification
- Towards a Brechtian View on Chekhov
- Chekhov`s “Three Sisters” as Multiple Protagonist Story
- Variations of One Story: Linda Aaronson`s model in her “21st Century Guide to Screenplay”
- The 1900 Emancipatory Play and the Crisis of Men: A Digression to Henrik Ibsen and a Claim for Reconsideration
- A Quest for What?
- A Quest Without an Antagonist?
- The Most Probable of all States as Antagonist in Anton Chekhov`s “Three Sisters”
- “Only Entropy Comes Easy”- A Chekhov Quote Quoted Only By Non-Theatre People
- Clausius, Boltzmann, Chekhov (, Shannon) – A Timeline
- The Entropy of “Entropy” – Obviously not Only a Two Cultures Problem
- “Love- the Greatest Blunder in the History of Mankind” – Rough Concept vs specific Quantity and the Unavoidability of Folk Interpretations
- A Folk Conceptualization of Entropy Beyond “Degree of Disorder”
- Upstream Swimming, Tragedy and Glory
- Most People Don`t Move to Moscow Most of Their Time – A Look into Mobility Statistics
- “Only Entropy Comes Easy”- A Chekhov Quote Quoted Only By Non-Theatre People
- How To Make Things Visible
- From Semi-Informative to Informative Image: The General Fight of the Director and the Probability to Win this Fight
- We Love Our Friends, but Sometimes they are Idiots: Towards a Normal View on Stage Characters
- Decision Making by Non-Decision Making Made Visible: How to Recogonizably Shape “the Moment When It Doesn`t Happen”
- Practical Symbolism
- A Breaking Tellurium
- To Do Lists and a Wind Machine
- Irina`s Telegraph Office Anecdote
- Walls of Moving Boxes
- Viva la Vida
- The Second Act – How to Read with these Lenses